On Tico Time
Whether you’re in the tropics or not, these handmade fused glass clocks will keep you punctual.
They’re made with recycled window glass. (Thanks Kristina.)
Most will be available for sale at Sámara Organics Market.
$50.00/c25,000 each
Seven new pieces
I’ve been having a lot of fun recently making these wire-wrapped pendants.
I’ve enhanced them with beaded ropes.
I recently selected a few for gifts for the girls and women in my family. When I laid them out on the table so each one could choose her favorite, my 16 year-old grandson swooped in, made his own selection, and wore his pendant the rest of the weekend. So, you see, these designs are unisex.
These earrings are using a new technique with a new material. I hope you like them.
All of this jewelry is for sale at Samara Organics at the Natural Center.
Enhancements
Lately, I’ve been doing a lot of wire-wrapping over glass “puddles”.
When I make mistakes in fused glass pieces, I break them up and re-fire them into “puddles”.
Sometimes, I use these puddles in other fused glass pieces – see if you can find some in my portfolio – but often, I turn them into jewelry.
Lately, I’ve been wire-wrapping them as earrings and pendants.
I started with the “Tree of Life” – I love this simple motif – and then branched out into some more abstract designs. 
My friend, Connie – she is great with beads and beading – helped me enhance these pendants with beaded ropes for necklaces.
Some of these pendants will be shown in Samara Organics soon.
New Work
I’ve just put some new pieces into Samara Organics.
Lots of jewelry too.
Bottle Bird plates
Keel-billed Toucan
By now, everyone on the planet has seen the ubiquitous slumped bottle/cheese plate.
Ringed Kingfisher
I’ve added a Costa Rican tropical bird to each one, most of which I’ve seen here in Samara. (more…)
Send me your empty, your poured.
After yesterday’s kiln repairs, these lichor bottles look just as I expected: bright, transparent, without spots and no cracking. Now I’ll paint them with tropical birds that I see around my house.
These are the ones I fired last week when the kiln wasn’t working properly: lots of devitrification (chalkiness), bubbles, exploded bubbles, and generally ugly. I am so pleased to have figured out the problem.
Send me your empty, your poured.
What the ?
Since my Seattle workshop in June, I have been working every day in the studio and loving it. What have I been doing?
I’ve been “painting” pictures with powdered and crushed glass (frit). I’m enjoying the process immensely, but I’m less than satisfied with the results.
Is it technique or technical? I don’t know and I’ve asked for professional advice.
It would be easy if I would stick to using the tested compatible COE96 art glass – I can knock those babies out – but I am really committed to using recycled “float” and bottle glass.
And it just isn’t going well. I am really proud of this “save”. But why do my pieces spontaneously crack down the middle? Like I said, I’ve asked for professional advice.
ETSY SHOP for purchase of smaller pieces and jewelry
MY WEBSITE – for full portfolio of artwork
